If the kora is gaining popularity here in Montreal and around the world, it’s in part thanks to the talents of these two kora masters. Toumany Kouyaté is the musician who lent his artistic gift to Cirque du Soleil’s mega production “Ô.” He was so enamoured with his experience that he moved to Las Vegas! Similarly, Zal Sissokho also took part in the show, performing at L.A.’s majestic Bellagio theatre. Both artists are motivated by a desire to bring honour to this African harp by sharing its magical sound with everyone who yearns for it. 

 Agility and virtuosity are qualities that Kouyaté and Sissokho share. No type of music is beyond their scope, not even soundsystem or flamenco! Who says a kora can’t sound as fiery as a guitar! Certainly not Zal Sissokho, who never doubted its natural synergy with flamenco guitarist and singer Caroline Planté. As long as there is poetry intertwined with this age-old instrument, the kora will reign.

Zal Sissokho has given himself over to Québec—it’s a true love affaire. Since moving to Montreal in 1999, he has connected with so many musical artists, including the venerable singer-poet Gilles Vigneault, gifting him a kora in honour of their friendship. As a result of his many collaborations, he has served as griot for a host of musicians, including the brothers Diouf, Corneille, Lilison di Kinara, Monica Freire and Richard Séguin. Just recently, he joined forces with Laurent Perrault-Jolicoeur, who plays the double bass, for a fusion of jazz and Mandinka music, a project they call “Racines.”